In To Will and To Do, twentieth-century French thinker Jacques Ellul presented his landmark theological contribution, yet the full text has never before been available in English. Incorporating recent insights on Ellul, and benefitting from the discovery of a lost manuscript, this new publication remedies this, combining a fresh translation of Volume One with a first English translation of Volume Two. Together, the two volumes constitute the first part of Ellul's planned four-part treatment of Christian ethics. In Volume Two, Ellul examines the origin of the problem of Good and Evil, surveys the contemporary morality of Western society, and provocatively sketches the paradox of an impossible and yet necessary Christian ethics. In Volume Two, he carries this discussion forward, outlining the characteristics and conditions of Christian ethics, and analysing the relationship between ethics, the legal texts of the Bible, and dogmatic theology. He concludes by reimagining the theological use of the 'analogy of faith' for scriptural interpretation. Throughout, Ellul remains in dialogue with Karl Barth, Dietrich Bonhoeffer, Paul Ricoeur and others, helping to cement To Will and To Do as a major intervention in twentieth-century theological ethics.  

In To Will and To Do, twentieth-century French thinker Jacques Ellul presented his landmark theological contribution, yet the full text has never before been available in English. Incorporating recent insights on Ellul, and benefitting from the discovery of a lost manuscript, this new publication remedies this, combining a fresh translation of Volume One with a first English translation of Volume Two. Together, the two volumes constitute the first part of Ellul's planned four-part treatment of Christian ethics. In Volume One, Ellul examines the origin of the problem of Good and Evil, surveys the contemporary morality of Western society, and provocatively sketches the paradox of an impossible and yet necessary Christian ethics. In Volume Two, he carries this discussion forward, outlining the characteristics and conditions of Christian ethics, and analysing the relationship between ethics, the legal texts of the Bible, and dogmatic theology. He concludes by reimagining the theological use of the 'analogy of faith' for scriptural interpretation. Throughout, Ellul remains in dialogue with Karl Barth, Dietrich Bonhoeffer, Paul Ricoeur and others, helping to cement To Will and To Do as a major intervention in twentieth-century theological ethics.  

Well-known for his many books on sociology and theology, Jacques Ellul creatively braids these two strands together in this provocative examination of how reality (which is visual) has superseded truth (which is verbal) in modern times.

Ellul explores biblical texts for distinguishing visual cultural forms from the communicative (divine and human) Word, then examines how this distinction plays out with the rise of audiovisual media in the 20th-century West. Even in human speech, visual forms dominate contemporary life and devalue the word; this insight informs discussion of the image/word clash in religion, politics, and art. After a scathing critique of present-day idolatry, Ellul places his hope for nonviolent community in the fragile spoken word. Ultimately, Ellul sees the Bible as presenting a hopeful vision of reconciliation—between visual reality and spoken truth.

A new afterword by Jacob Marques Rollison contextualizes Ellul’s stance within French postmodern thought, illuminating Humiliation of the Word as an outspokenly “Protestant communication ethic” in contemporary philosophical and theological discussions of language.

Jacque Ellul blends politics, theology, history, and exposition in this analysis of the relationship between political anarchy and biblical faith. While he clarifies the views of each and how they can be related, his aim is not to proselytize either anarchists into Christianity or Christians into anarchy.

A penetrating analysis of our technical civilization and of the effect of an increasingly standardized culture on the future of man.

'The theme of Propaganda is quite simply. . . that when our new technology encompasses any culture or society, the result is propaganda. . . . Ellul has made many splendid contributions in this book.' -Robert R. Kirsch, The Los Angeles Times